It can take up to three weeks to complete sound design. Then it goes to the sound designer who combines the music, dialogue, and Foley effects together to create audio tracks that go into the mix. After removing any unwanted noise, the sound mixer adds background noise, voiceover, music, or sound effects. This is when Foley artists come in to recreate sounds or actors come in to rerecord scenes. Sound mixing, or editing, takes place when film editing is being finalized. When the director is satisfied with the cinematographer’s color grading work, the film goes into sound mixing, where the original recorded sound is added with various other sound styles to complement it. As soon as you have a good sense of the material you plan to use from the pile of raw footage, you can begin the editing process. This means the editor ends up with hundreds or thousands of hours of material.”Īfter you have all the footage, your job as an editor is to sift through selects and every other clip to seek out gems that show character, complexity, and other key elements that enhance the overall storytelling. But the tendency is to just let the cameras run, because digital is cheap compared to film. But with digital cameras, we now use electronic slates and still label the shots. “We would carefully plan each shot, limit the number of takes, and mark them with a clapperboard using chalk or markers. “We used to be very careful when shooting film because it was so expensive,” says director and screenwriter Steven Bernstein. However, modern cameras and their ability to organize digital footage files make some parts of editing easier, while other parts have become more challenging. Beyond the techniques, editing can be a very involved process because you’re working with so much content.
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